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photo this & that | photography, cameras, software, computers & other stuff photo this & that photography, cameras, software, computers & other stuff skip to content home about contact links to more ← older posts 11th annual international color awards posted on march 14, 2018 | leave a comment two nominations in the people’s category happy to share that two of my street photographs were nominated by the judges of the 11th international color awards. the first image was shot using a leica m10. tate modern, bankside, london. august 01, 2017. photo: edmond terakopian the second image was shot on a sony rx1rii. having a quiet drink at the beany bar. daily life around the south bank, london, uk. october 25, 2017. photo: edmond terakopian many congratulations to all the winners and nominees and a thank you to the judges. leave a comment posted in competition , news , photography , pictures tagged award , competition , international color awards , leica , m10 , nomination , rx1r2 , rx1rii , sony leica cl – hands on posted on november 22, 2017 | 4 comments hands on preview of the new leica cl photographer edmond terakopian with the newly announced leica cl. leica cl press launch. the den, 45 st martin’s lane, london. november 21, 2017. photo: robin sinha i used to really like my leica x1 ; superb quality, large sensor compact camera, with a fixed leica lens, capable of professional results in a small body. it was with me at all times and i used it on assignments as well as my personal work. alas, it needed to have a proper electronic viewfinder and equally as importantly, interchangeable lenses. the radically conceptual and interesting leica tl and tl2 addressed the interchangeable lens issue, but to my dismay didn’t have a built in viewfinder. although i do sometimes shoot using the rear screen, i’m definitely a viewfinder user and a slide on viewfinder (be it optical or digital) whilst useful, isn’t the answer. they’re inelegant, get in the way, add bulk, come off and can easily be lost. the new leica cl, with the leica summicron-tl 23mm f/2 asph lens. leica cl press launch. the den, 45 st martin’s lane, london. november 21, 2017. photo: edmond terakopian the new leica cl, with the leica summicron-tl 23mm f/2 asph lens. leica cl press launch. the den, 45 st martin’s lane, london. november 21, 2017. photo: edmond terakopian the rumour mills started showing leaked images of the leica cl . an interchangeable lens, compact mirrorless camera with a built in viewfinder. of course, one can never trust these rumours, but when i received an invitation by the lovely folks at leica uk for a press launch, i realised this may just be for real. i’m delighted to say, it is a reality. it’s a truly beautiful and elegant design, sharing a look very reminiscent of it’s great grandfather, the leica iii. even without the red dot, it is instantly recognisable as a leica and carries this heritage forward. the design, craftsmanship and build quality are really top notch. this is definitely a “real leica”. it feels right in the hand. a portrait of arteh odjidja at the leica cl press launch. test shot using the summilux-tl 35 f/1.4 asph. the den, 45 st martin’s lane, london. november 21, 2017. photo: edmond terakopian the mark of a well thought out design, one crafted by engineers who are passionate photographers and not just very clever folk, is that when you pick it up, you can just start to use it. without looking at a manual or much fuss at all, i took to its beautifully designed and elegant switchgear; ergonomics which have been thought through just make the camera a very natural and comfortable extension of the photographer. the twin dials with push down control clicks and a small screen between them means that modes and settings can quickly be navigated not only without fuss, but very naturally. my only gripe here is that in manual mode, it would be nice to be able to change the dials’ functions so that shutter speed and aperture can be swapped around if needed. hopefully a firmware upgrade can take care of that. a portrait of robin sinha at the leica cl press launch. test shot using the summilux-tl 35 f/1.4 asph. the den, 45 st martin’s lane, london. november 21, 2017. photo: edmond terakopian when other camera manufacturers look at the simplicity and elegance of design with a perfect layout of buttons, dials and screens, they’ll hopefully realise that shoving extraneous buttons all over their camera’s isn’t really necessary and is in fact counterproductive to photography. the same can be said of the menu system, which essentially includes a favourite’s page and is very elegantly done. no phds needed to operate this menu system! by now, i’m sure you’ve seen the specifications online, but the main points are: 24.2mp aps-c cmos sensor with a 14 stop dynamic range iso range of 100 to 50000 10 frames a second on continuous drive (with three speed settings for continuous) with a 33 frame buffer (jpeg and raw dng) flash sync speed of 1/180th evf has 2.3mp with an eye relief of 20 mm (superb for spectacle wearers) the autofocus system is contrast based and has 49 points the files lend themselves beautifully to the monochrome treatment; the lenses and sensor being matched nicely to get a smooth and wide tonal range also produce a phenomenal dynamic range. all the key ingredients for beautiful black and white photography are present. leica cl press launch. test shot using the leica elmarit-tl 18mm f/2.8 asph. the den, 45 st martin’s lane, london. november 21, 2017. photo: edmond terakopian. raw photograph processed in adobe lightroom and black and white treatment applied in alienskin exposure x3. a portrait of robin sinha at the leica cl press launch. test shot using the summilux-tl 35 f/1.4 asph. the den, 45 st martin’s lane, london. november 21, 2017. photo: edmond terakopian. raw photograph processed in adobe lightroom and black and white treatment applied in alienskin exposure x3. a portrait of arteh odjidja at the leica cl press launch. test shot using the summilux-tl 35 f/1.4 asph. the den, 45 st martin’s lane, london. november 21, 2017. photo: edmond terakopian. raw photograph processed in adobe lightroom and black and white treatment applied in alienskin exposure x3. i had the camera for around 20 minutes, so of course this post isn’t an exhaustive test. some colleagues whose opinion i value have had more time with the camera, and i will post some links at the end of this article. however, one thing i can usually tell in the first few minutes of picking up a new camera is if it’s going to work for me. the leica cl gave me the feeling that it definitely will. it’s right in the hand, focuses quickly and accurately, has a decent amount of af points spread across the frame, has a fast drive when needed, intelligent menu system and of course, has leica lenses. the main reason for me choosing leica, by far, is the leica lens. i made this decision back in early 90s when i bought my first leica (an m4-2) after having tried an m3 for a few weeks back in 1989. another wonderful thing about the cl is that with an adapter, leica m lenses can be fitted and used (with a x1.5 crop factor). i do wish it had a few things though. i would have really liked to see a joystick on the back for moving the af point around quickly with he camera to the eye. i feel any serious camera needs to have a joystick. a built in stabiliser would have also been most welcome. although the video specs are good, i didn’t even bother to shoot video as there are no microphone or headphone sockets, so perhaps having these would have been a nice touch, making the camera more usable, but i assume it would have added bulk. as with any conversation involving leica, the price always comes up. i’ve already had several conversations about pricing with friends and colleagues on my social media. leica have always been more costly. no compromise lens design and low quantity manufacturing has always meant that

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